Opinie

Yaron Orbach, Cinematographer

Yaron Orbach, Cinematographer

We shoot a lot of handheld on THE PATH, and Chris Konash at Panavision in New York designed a ‘hot swap box’ that sits on the camera allowing us to reduce cables and drop a battery. That little box is a huge help on a show where we shoot several cameras handheld. I’ve had a great relationship with Panavision. Whenever I have an issue, they solve it. The hot swap box solution in response to my specific demand to lighten our loads was truly invaluable.” – Yaron Orbach, Cinematographer

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Seamus McGarvey

Seamus McGarvey ASC, BSC

Whatever the photographic direction of a project, Panavision is always there to support me in finding a distinct look for the film. They are collaborators in the image with me. That kind of service is unmatched in the industry.” – Seamus McGarvey ASC, BSC

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Manuel Billeter

Manuel Billeter, Cinematographer

The choice of lenses – both old and new and everything in between – is impressive. I was able to find and adjust the right line of lenses for each of my shows, and Panavision’s support and expertise have proven to be an incredible asset, making the production process both liberating and creatively stimulating.” – Manuel Billeter (Jessica Jones, Luke Cage, and the upcoming Iron Fist)

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Loren Yaconelli, Cinematographer

Loren Yaconelli, Cinematographer

I have a wonderful set of lenses, the G Series anamorphic prime lenses from Panavision (on Animal Kingdom). We get incredible flares. The way the light behaves when it hits the lens, things that people might consider a flaw, is really wonderful.

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Jas Shelton, Cinematographer

Jas Shelton, Cinematographer

With Panavision, I’m not just getting equipment – they are partners in helping me put together the right tools for my projects. Regardless of the budget, I receive the same great service. They help me to achieve the look I want for each project by suggesting the best gear for the job. That assistance in formulating my approach is invaluable, and fuels my creative process.

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Adam Stone, Cinematographer

Adam Stone, Cinematographer

Panavision is an icon to us. Just saying we were shooting on Panavision made us (director Jeff Nichols) grin and tremble in fear all at the same time. We knew we had to bring our 'A-Game' to Mud, because we were about to shoot on some hallowed equipment.

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Adam Stone, Cinematographer

Adam Stone, Cinematographer

Panavision is an icon to us. Just saying we were shooting on Panavision made us (director Jeff Nichols) grin and tremble in fear all at the same time. We knew we had to bring our 'A-Game' to Mud, because we were about to shoot on some hallowed equipment.

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Sam Chase, Cinematographer

Sam Chase, Cinematographer

The incredible wealth of lenses, and the people that make and modify them, are one of Panavision’s greatest assets. We ultimately chose Primo primes and zooms for Hollywood Adventures and they performed flawlessly. Sharp, but not too sharp. Clean, but still full of character. They just feel like the movies.”

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